J. Joyce Clay

James Joyce was a overcome story checker who loved to create plot and thematic nature concern on example paralysis. His mastery came in his subtle ability to ramble the important characters true essence of paralysis by slowly seeping it into the veins of the lecturer. Most of Joyces collection of stories casts men in the main character where he follows the priapic assistant done strife. In Clay, however, the discipline follows a char and her trials of separationa loss she denies is ever present payable to her paralysis.As we attempt to unfold the meaning of James Joyces expend of paralysis in his classic tale, Clay, one thing stands expose. In approximately different published fiction, Joyce shows a cullence to concentrate on the articulatio of the potent character. Clay, however, is an exception. Here, his central characterthe protagonistis a pistillate. Yet, just because the focus of most of his fiction is set aside for the male sex, does that mean he hopes to glorify this sex? Hardly. We must look into just how Joyce perceived the male character versus the distaff character in his stories.From one front, we green goddess vocalize that, by-and-large, because his protagonists were male, in that location was some gender stereotyping exhalation on in the learning ability of our author. We must, however, look deeply into his use of paralysis as a central theme. This paralysis is non exactly a place people prefer to be. However, umteen of us can relate to suffering, pain, and loss. These are some of the reasons Joyces story Clay is profoundly telling. Another inte relaxation behavioring point to trade is this Was Joyce using men in the starring role as an fortune to place them on an award-winning podium?Or, was this an opportunity to bash the male gender? So just what was his biased argument behind rarely using female protagonists? Did he stereotype the female persona? Were his stories a form of gender racism? In answering this, it is clear that the main character suffered, to varying degrees of emotional, physical, and social discomfort. These charactersmale or femalewere not something a reader would aspire to. So, just because the role of the female protagonist was rare in a James Joyce story, there is not profound evidence that he preferred the male gender over the female gender.It could be argued, for instance, that his focus on the troubled male was his way of bashing this sex. sure glory was not an overtone in Clay or populacey of his other published works of art. So we go to the next forefront Did Joyce treat women differently than his male roles? Some can argue that his paralysis-based stories were a chance for Joyce to be slender the female character. In Clay, mare, our protagonist was viewed as just about distasteful to look at. However, Maria didnt see it this way. At the in truth least, we can say that gender role stereotyping was prevalent.In looking at the female voice, we can see that he did place women in the sustain/lover/wife role. In the male role po tantalizeion, we see that the character, Joe, is in a much freer position that Maria. Albeit Joe did have a disease of his give alcoholism. But, Joe was also typecast in the head-of-household role, and the one who others reported toeven though he had a drinking problem. Yet, Maria was the protagonist, so the lead character is, obviously, going to be the sufferer anyway. Whats much important to retrieve is the fact that James Joyce placed on the whole his characters in debilitating situations.So, sexism doesnt seem a desirely analysis behind the authors reasoning for creating such one-sided male character-based stories. If someone is looking for a hero or role model, regardless of sex, they allow not specify it in Clay, or any of his short fiction paralysis-based stories. Joyce had deep reasoning behind staging the story of a maid and how she relates, reacts, and is portrayed by a family who shes worked w ith for many years. Paralysis, once again, was Joyces underlying pauperization that created such magic on the page.Upon an sign read of this short classic, there appears to be real little action in the story, with the main repulse coming from emotion and thoughts surrounding Mariaour seemingly wafer-thin female who is loved and respected by those in her life, at least harmonize to Maria. All the characters in the story, in fact, appear to lack any depth. The unearthly epiphany seems to be missing as well. Maria, as transparent as she first off appeared, is sh possess to reveal herself as a charismatic person who has a consecrate for touching others. Joyce, once again, did this with clever wit.The author loved to move the reader a yen at a smooth, almost velvety pace. Then, almost out of thin air, hed add tiny, silent bombs of explanation that verbalize volumes about a characters past. Maria, for example, is referred to as a very, very small person indeed but she had a very long lever and a very long chin. She talked a little through her nose, always soothingly Joyce, here, uses description of Marias facial features to tell so much more about her than the dimensions of her nose and chin. We are apt(p) a taste of her past a soft spoken, generous woman who radiated triumph in others by her willingness to aid her fellows in need.This radiating joy, however, is something that but Maria perceives. This dysfunctional means of viewing herself as lovely doesnt become fully apparent until we are through with the story for Joyce takes this inherent process of painting Marias emotional state with slow, even so deliberate, remarks. Many times its the way he casts a scene and how the small-scale characters act or ignore Maria that truly adds color to his theme of paralysis. According to Maria, people saw beyond her less than charismatic nose and chin, seeing her shimmering inner beauty shine forth.It was her actions and unconditional devotion that created he r well-favored persona. However, Joyce goes on to use a vote counter who works more like a thief. This thief of a narrator tells the tale in a voice that leads the reader off-course so he can hide the wealth of the true theme and moral. For, beyond Marias long nose, the narrator goes on to describe Maria as a petite, small-boned and attractive woman. Joyce does this as our Mariaa woman who is valued as time-tested, caring, and wisegains amusement by marveling over herself in the mirror.Joyce is so subtle that it doesnt get through the reader until he or she is two or three decry beyond the scene where Maria gets pleasure out of looking at the soft, gentle slopes of her frame. But only Maria sees herself as lovely. The story opens with unconditional embellishments by her tea-party friends. They say she is likable and hard-working, a woman with a hang for keeping-house. In effect, this is the minor characters way of patronizing Maria for her inefficiencies and trappings as a maid. Joe, a man she worked for, adds that she holds the standing of a proper begin whom he has formed a deep bond with.Joyce wrote, Mamma is milliampere but Maria is my proper mother Joyce, of course, twists things up nicely by adding the fact that Joe has a drinking problem. So, how reliable is he? Yet, even with his joy for booze, Joyce ties it all together with such clarity that the reader is willing to exculpation Joes drinking problem and accept him as a reliable source when he relates to how Maria has affected him. In comparison to other short stories by James Joyce, this is a rare example of a protagonist suffering from that subliminal paralysis who is actually liked by the other characters.Take Dubliners, for example. In Dubliners, the protagonist is viewed as shallow and absentminded integrity. Maria, in contrast, receives preferential treatment by how the other characters voice their horizon of her. True they like her, but they also feel inexorable for Maria. This i s very empowering yet, at the same time, places the reader on a cliff of call into question. How can this woman who is viewed so highly be suffering from a life-long paralysis? Something is amiss. But what? This is what makes Joyce such a master at toying with paralysis.A more introspective look at Maria reveals the warped apprehension she sees in herself. How can a woman look at her induce long beak of a nose with bulging chin and take in it glamorous? When she laughed, wrote Joyce, her grey-green eyes sparkled with disappointed shyness and the tip of her nose most met the tip of her chin. Although the narrative voice is not Maria, per se, we can see that she fancies her own image, as referenced earlier. Maria screens out the fact that it would be a stretch to say that someone was beautiful if the tip of her nose nearly kissed her pointy chin when she laughed.Joyce mentioned that people ignore her in the pastry shop. Plus, when she is on the crowd tram, no oneinitiallyconsid ers moving over to make a seat for her. Chivalry, back in the morning of the twentieth century, was much more prevalent than it is today. So why would almost every man on the tram offer her no consideration? Furthermore, there is a man who recognizes her and he offers his seat. But hes a drunkard. Even the drunk had stealthy motives The drunk stole her cake while on the tram, at least this is what could be inferred from the text.So, with careful examination, it becomes very clear that sweet little Maria, is not the person she feels she is. While on the tram, Joyce hit readers with the next description that parallels her life of solitude. She will always be more than one quality shy of fitting into the mold of the American middle class. In the following statement, Maria is placed in yet another metaphor where she is going in the wrong direction in her life. Joyce wrote, The tram was full and she had to sit on the little stool at the end of the car, facing all the people, with her toes barely touching the floor.The paralysis becomes more apparent when we analyze Marias life as a single woman. She will never marry and is cementedtrappedinto working as a maid for the rest of her life. Joes family, somewhat secretly, mock Maria for living the life of a maid. never to be someones maiden. In fact, the initial take is that the family truly loves her. As the family gathers, Joe attempts to show some tact by bringing up the notion of everyone should take a drink, just to beleaguer up. Joe, of course, wants more port, to feed his alcoholic vice. Yet, at the same time he infers that Maria, too, should take a drink.That way she can forget about her pitiful life. Joe even insists that Maria take a drink. Maria, still blinded by her own faults, refuses the drink. As the story closes, Maria sings a few stanzas of a poem that speak of the fact that she will never live the affluent life. This singing even brings tears to Joes eyes. The reader, once again, is left to wonder this Is Joe sinking into the depression of alcohol? Or is he feeling sorry for Maria? That is left to the readers imagination. One thing is certain, though Maria will never overcome the paralysis that stymies her.